Tuesday, November 4, 2008
Evaluation + discussion
The thoughts my work provoked were not constructive, jenny, tara, jess and mischa didn't listen to a word shelley said and would cling to scraps of second hand information in their arguments, whereas shelley knew all the facts and figures and was obviously very well educated on the issue and surrounding issues of meat consumption.
anyway... i ahve been giving the badges away to people, sometimes giving them more so they can then pass them on. Some people won't take them e.g the lady from painting only wanted the one with the lamb because she thought it was cute. When i told her what my project was about she didn't want it any more. She eats meat.
Why you should eat meat and battery eggs
You don’t need to be a physician, a nutritionist, or even have a fancy degree to understand why humans eat meat. Just check the teeth in your mouth. There are twenty of them devoted to eating meat, but only twelve for fruit and vegetables.
If you are inclined to examine the human body further, you will discover, as Dr. Max Ernest Jutte, MD, pointed out in 1936, “the stomach is a carnivorous organ designed primarily to digest lean meat, and that the small intestine, pancreas, and liver are mainly herbivorous and designed to digest vegetables, fruits, fats, and farinaceous (starch) foods.”
source: http://www.republicanvoices.org/war_on_meat.html
great article if you read the whole thing. It makes me laugh how stupid some people can be..
"It tastes good"
"It's the food chain"
"Humans are made to eat meat, it's science"
"Cage eggs are cheaper"
"It's the best source of iron"
"It's tradition"
any ideas post a comment :)
wear it with pride
Monday, November 3, 2008
Concept1



I want to give people something, originally it was a leaf but i decided it was irrelevant. It tied to my last project but i couldn't think of a reason for it being there other than it would be pretty. I also couldn't think of a possible message it could contain that would make people want to pass it on to each other... and the leaves were not easily transportable, rather a precious object.
In my studio this semester I have been looking at meat consumption and the way meat is advertised. I Don't know quite how to get my views about meat across to people. Bombarding them with grotesque images is not the way to do it, that is not what convinced me not to eat meat. I decided to just go with existing advertising campaigns.
Rirkrit Tiravanija
Top left and right, installation views of Rirkrit Tiravanija’s Untitled 1992 (Free) (re-created 2007). Above left and right, installation views of Untitled 1992 (Free) and a re-creation of Gordon Matta-Clark’s 1972 piece Open House (2007), all at David Zwirner Gallery. His early installations involved cooking meals for gallery-goers. Tiravanija's artwork, which explores the social role of the artist, is described by Nicolas Bourriaud as having a "relational aesthetics." His installations often take the form of stages or rooms for sharing meals, cooking, reading, playing music. Architecture or structures for living and socializing are a core element in his work. I love how he makes dinner for people, and they wonder what they are supposed to do, eat it? Give something back to him? It goes from passive viewing to active participation which is something i value in an artwork
Links to some sites on Rirkrit Tiravanija
http://findarticles.com/p/articles/mi_m1248/is_n2_v84/ai_18004723
http://nymag.com/arts/art/reviews/31511/
http://www.operacity.jp/en/ag/exh31rt.php
Relational art
Relational art is "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."-Nicholas Bourriaud
The artwork creates a social environment in which people come together to participate in a shared activity. Bourriaud claims "the role of artworks is no longer to form imaginary and utopian realities, but to actually be ways of living and models of action within the existing real, whatever scale chosen by the artist."
In Relational Art, the audience is envisaged as a community. Rather than the artwork being an encounter between a viewer and an object, relational art produces intersubjective encounters. Through these encounters, meaning is elaborated collectively, rather than in the space of individual consumption.I am very interested in art that does this...
at the moment i am hating documentation, don't see the point in it its just something 'official' that has to be done as proof/evidence. I don't see the gallery space as being the most effective location for experimenting with relational art in what i want to achieve with it.
Exhibiting in a gallery limits the audience to a privileged few that are interested in art in the first place, or have access to it. The rest of us either do not see it or just see the documentation.
The audience is always a select few and it doesn't have to be.... why not make art just for yourself or your friends??
Monday, October 13, 2008
Further thoughts
I thought of making a tree and leaves, then after some class feedback i thought i didn't need a tree. I want people to pick up the leaves i make, to notice them and hopefully give them to other people making a sort of tree branching out from me to the people that discover the leaves and so on.
Only problem is i can't think of anything to write on the leaves without sounding cheesy and lame like 'you are beautiful' .... 'believe in yourself' or whatever. I want the text to be there so that people think hmmm this isn't that relevant to me maybe i will pass it on to someone else that would need/ want it more than me.
Sunday, June 8, 2008
That's all.......
I want people to notice nature, not just dismiss it as background imagery. Because it hasn't been purposefully placed there as man-made objects are, people seem to take less notice of it. As i mentioned before, a lot of paintings depict the man made elements with startling accuracy and attention to detail whereas the grass and trees are just treated like a texture and applied without much thought.
When i visited the John Leech Gallery in May I found a classic example of this in Michael Hight's work which is said to be depicted with 'photo-realistic precision'.

Kerepehi
2008
oil on linen
1350 x 3000 mm
Through my work i wanted to get people to take more notice of nature, and see how beautiful it can be. I hope this is what people interpret from my work.
I chose to use the computer as my medium for drawing because i think this is the closest to being manufactured and man-made. There are no hard-copies of the frames i have drawn, they have only existed on the computer. The act of drawing them on the wacom tablet was just like drawing with a pen in the sense that it involved had movements, and the pen is pressure sensitive just like an analog pen :)
I wanted to comment on how we overlook nature so thought a digital medium would be the best tool to use.
Friday, June 6, 2008
Second Edit
Well.... re-drew some frames because they looked a bit sloppy, where there was a zoom in to the hand, and looped the footage and burned it to dvd :) see the results below
for some reason the first few frames have black pixels where there should be white i don't know why this is!!!


